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January 27, 2015
I’ve been to the antique shop in Orono several times. On Sunday, I had a particular feeling of déjà vu. “Where have I just seen this picture?” I thought. It was Fredrick H. Varley’s “Stormy Weather, Georgian Bay” painted in a characteristically Group of Seven style back in 1920. Bold, vivid and breath-taking.
In Fred Varley’s “Stormy Weather, Georgian Bay” we see a windswept tree clinging to a steep island of rock. White capped waters echo the turbulence of the sky, as swirling patterns of blue and green paint create a feeling of restlessness. Varley’s energetic brushstrokes convey the force of the wind and ever-changing vitality of nature–as well, perhaps, something of the artist’s own spirited personality.
The night before, Kubrick’s 1980 horror masterpiece “The Shining” was screened at the Bell Lightbox. Much of the film was edited and marketed as the “International Version”. Some of the Canadian art references such as Colville’s “Horse & Train” and Morrisseau’s “Flock of Loons” unfortunately fell out of this version.
The “a-ha” moment clicked in. Finally, another Canadian art reference in “The Shining” to add to the list. A chance discovery! Varley’s picture can be seen next to the maze model in the Colorado Lounge. Jack Torrence (played by Nicholson) stands above a tabletop model of a topiary maze located on the grounds of the Overlook Hotel. Fred Varley’s tumultuous image overlooking Georgian Bay can be seen in the background…
November 1, 2014
Earlier this week, I had a chance to revisit Kubrick’s horror masterpiece “The Shining”. The film makes reference to several Canadian artworks including four Alex Colville paintings, two Norval Morrisseau works, Paul Peel’s “After the Bath”, Tom Thomson and J.E.H. MacDonald. I’m delighted to verify another Group of Seven artist to the list.
In one scene, Jack Torrence (played by Nicholson) walks down a corridor towards the Gold ballroom of the Overlook Hotel. Before entering the ballroom he stops. Behind him is a poster reproduction of a Canadian icon, “Red Maple” by A.Y. Jackson.
The painting shows a supple red maple on the banks of churning rapids. Some art historians have pointed out the symbolic resonance of the young maple with the forging of Canada’s national identity. At the time Jackson painted this canvas, our young nation had been at battle for months overseas in the Great War. The artist painted it in his Toronto studio in November 1914. This great work marks its centennial this month!